SEARCH RESULTS FOR: Buddy Knox
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(Guitar, vocals, 1933–99) Texas-born Knox formed The Rhythm Orchids at West Texas State high school with Jimmy Bowen (bass, vocals). ‘Party Doll’ (by Knox) and ‘I’m Stickin’ With You’ (by Bowen), recorded by Norman Petty, which possibly influenced Buddy Holly to choose Petty as his producer, were released as the two sides of a 1957 million-selling ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, guitar, 1933–99) Knox came from the tiny west Texas town of Happy. His group, The Rhythm Orchids included future country-music executive Jimmy Bowen on upright bass. Their biggest hit, ‘Party Doll’ (1957), was recorded at Norman Petty’s studio in Clovis, New Mexico. Buddy’s style was light and melodic, and less aggressive than his contemporaries. ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Buddy Holly helped define and popularize rock’n’roll in its earliest days, when its future was in doubt and its existence was under attack. Strumming a Fender Stratocaster, he brought an extra dose of country to a sound that was still closely related to pure blues and rhythm and blues. He blazed a trail for white artists who, unlike ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

One of the young gunslingers who invigorated the blues in the 1960s, Buddy Guy (b. 1936) wowed audiences with high-octane guitar histrionics and energy that were matched by a tortured vocal manner. Guy is a master of dynamics, allowing a song to drift towards oblivion before suddenly bringing it back to a crescendo of intensity. Notable fans have included ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Clarinet, b. 1923) Buddy DeFranco (Boniface Ferdinand Leonardo) became the leading clarinet player of the post-swing era. His liquid sonority and flowing improvisations drew on elements from both swing and bebop, but without settling fully in either camp. He served a big-band apprenticeship with Gene Krupa, Charlie Barnet and Tommy Dorsey in the mid-1940s, but is best ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1917–87) Bernard ‘Buddy’ Rich was a powerhouse drummer with a phenomenal technique, but he was also capable of great delicacy when required. He grew up in the family vaudeville act before joining Joe Marsala’s band in 1937. It was the beginning of a series of associations with major swing era bandleaders such as Harry James, Artie Shaw ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

‘When I first heard of the electric guitar, I thought somebody was bullshittin’ me,’ says George ‘Buddy’ Guy. ‘We lived so far in the country I didn’t even know what an acoustic guitar was until my mother started getting mail-order catalogs’. In 2005, Guy, who was born in Lettsworth, Louisiana on 30 July 1936, stands ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, multi-instrumentalist, 1906–2001) Born near Ripley, West Virginia, Oby Edgar Starcher performed on radio stations in Baltimore and elsewhere. From the 1940s until the late 1960s, he recorded for various labels and wrote songs such as ‘You’ve Still Got A Place In My Heart’ and ‘I’ll Still Write Your Name’, many of which were popularized by ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, 1936–59) Born Charles Holley in Lubbock, Texas, Buddy was one of the biggest names of the rock’n’roll era. Along with his group, The Crickets, he recorded for producer Norman Petty and created a series of instantly recognizable worldwide hits. He came from a strictly hillbilly background but incorporated both R&B and blues into ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, b. 1952) Miller is short and stocky, just like Buck Owens, and applies a similar thick hillbilly twang to similar down-to-earth, hard-country songs. Julie Miller (vocals, b. 1956) is as tall and willowy as Joni Mitchell, and writes the same sort of poetic, folk-rock songs for the same sort of reedy ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Buddy Holly was born Charles Hardin Holley in Lubbock, Texas, on 7 September 1936. Buddy got a guitar in his mid-teens and started practising with friend, Bob Montgomery. They liked country and western but also had predilection for the blues. An Elvis gig in Lubbock in early 1955 alerted them to new possibilities. Buddy and Bob, as ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, record producer, b. 1937) New Mexico-born Bowen enjoyed three distinctive careers, first as a rock’n’roll artist with Buddy Knox (their 1957 double A-sided single, ‘Party Doll’/’I’m Stickin’ With You’ sold a million copies); then as a West Coast record executive, working with such as Frank Sinatra and Dean Martin; and, finally, running several ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group, 1958–67) Between 1958, when they formed, and 1963, The Kingston Trio, comprising Dave Guard (vocals, banjo) and vocalists/guitarists Bob Shane and Nick Reynolds released 17 albums, 10 of which made the US Top 3, and seven of which were certified gold. Wearing matching striped shirts and with short hair, parents ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1937) Born in Maud, Oklahoma, Jackson was discovered by Hank Thompson and first recorded country for Decca in 1954. After appearing on shows with Elvis Presley and a label switch to Capitol, she cut several rockabilly classics. Jackson introduced much-needed glamour to the largely male world of rockabilly, and her rasping vocal style is ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The arrival of the rockabilly phenomenon in the mid-1950s can be traced back directly to the rise of Elvis Presley (1935–77) and there is no doubt that he was the dominant influence on most of the young country boys who followed him. The impact of Presley can never be overstated, but at the same time he did not materialize out ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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